Low-budget filmmaking tip #80
Before you do stunts or other physically demanding action, take a few minutes to stretch and limber up. There’s a reason zombie hunters do it!
Low-budget filmmaking tip #79
Please don’t ever have a character say “We’ve got company” to announce the arrival of monsters, bad guys, or other undesirables. You can do better. Likewise, “Bingo!” should probably never be used outside of the actual bingo parlor context.
One of the things I try very hard to do with every script I write is to speak all the dialogue out loud. If something sounds funny, it’s outta’ here!
One of the first things to go is repeated use of each other’s names.
I noticed in a script I wrote recently that neither of the two characters even once called each other by name. At first, I thought that was a little weird, until I read it a few times and realized that names were pretty much unnecessary — it was just two people talking in the woods.
I could live a long and happy life and never hear a character say “I got a bad feeling about this” unless it was the setup for a punchline such as “Well, yeah, there’s one of those spiny fish swimming into your urethra — that explains your bad feeling.”
I would actually be amused if a bingo parlor were in a movie, but no one said bingo. Then one of the musing characters would muse “Something just seems to be missing.” She would keep musing until later, in a different location, just as the other characters are working out something complicated, she’d yell out “Bingo!” and they would all ask and she would explain “That’s what was missing from the bingo parlor! Someone shouting Bingo!” They would stare blankly at her, and then she would say “Okay, so what are we talking about, again?”
Although I think “spiny pee fish” would be an awesome name for an avant garde Scottish soft rock band.
Low-budget filmmaking tip #78
If you can hear “Quiet on the set!” before a take, then that includes you.
And in a sort of converse kind of way, “quiet on the set” should probably only be used right before shooting, otherwise people stop paying attention.
Low-budget filmmaking tip #77
Always know what emotion you want your audience to feel, for every character, for every scene, and at the end of the movie. This is your compass, and as long as you follow it, you’ll always stay on track. If you don’t have compass, you’ll just wander around.
Low-budget filmmaking tip #76
Make your props out of something sturdy. Cardboard and balsa wood will shatter if you look at it cross-eyed.
I can’t tell you how many props I’ve broken right at Go Time by manhandling them. More than half a dozen, including two very delicate fancy sci-fi pistols and a few swords. Gr…
Low-budget filmmaking tip #75
Dress your set. Walls have pictures, tables have things on them, shelves are sometimes in disarray. If you want to dress a lab, take some pictures in a real lab. If you want a carnie’s office, go visit a circus and buy someone coffee in exchange for an interview and a couple reference pictures. Make it real.
Low-budget filmmaking tip #74
You don’t have to make a feature every single time. You can make a short movie, ten minutes long. Or five minutes. Or even a minute long. Some ideas aren’t worth ninety minutes — they’re only worth five. And a five-minute movie is a lot easier to complete and enjoy than a ninety-minute movie, especially if you have a short attention span.
Low-budget filmmaking tip #73
If you can set your computer up such that it can have no connectivity (such as an alternate hardware profile or a radios switch) as a bootup choice, do so and label that position “Working.” Keeps you off the Interwebs when you’re trying to get work done.
My laptop has a radio switch. I love that switch. If it ever breaks, though, I’ll be hosed.
My old computer had a hardware profile that didn’t connect to the network card, so when I booted up and chose “Video work” it was impossible to connect to anything via the network card.
As General Ackbar says, “It’s a trick!” but I accept it as one of those tricks we do, such as setting the car clock ahead ten minutes.
Low-budget filmmaking tip #72
If you’ve got scene cards, but you haven’t written the script yet, please number the scene cards. You’ll think it’s tedious and unnecessary until you drop the pile outside. In the wind.
Low-budget filmmaking tip #71
Your location owner might have to lock their doors after a certain time, but if you ask nice, they might let you run an extension cord or two out through a little hole. Then, you can leave ‘em coiled up after you’re done and come by in the morning and pick all your cords back up.
Thanks for this tip, Ryan! It’s worked GREAT every time we’ve used it!